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Cecilia ann de PIXIES (Acordes y tablaturas)
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Cecilia ann
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THE PIXIES
'Cecilia Ann'


questions/comments to raellero@vela.acs.oakland.edu. send them pixies
requests in! i just might do em. 
__________________

the bass follows the guitar parts pretty closely so there's not an
extra clef for it. (wing it-  you know kim did    =)      ).

(amp sproing and feedback in key of E)



|          Em                    G              B
|___________________________________________________________
|___________________________________________________________
|.__________________________________________________________
|._____________________2_____2___5_____4___2____4___________
|_______3___2______2________________________________________
|___0_______0_______________________________________________


  Am                        B
____________________________________________________________
____________________________________________________________
____________________________________________________________
____________________________________________________________
___0_________0__0_____0_____2____2__2_______________________
_________3__________________________________________________



       Em                 G            B
___________________________________________________________
___________________________________________________________
___________________________________________________________
________________2_____2___5____4___2___4___________________
___2___2____2______________________________________________
_______0___________________________________________________


   Am              B                 Em
_________________________________________________
_________________________________________________
_________________________________________________
_________________________________________________
___0__________0____2___0_________________________
__________3________________3___2_____0___________



|1.
|    C           D            Em          C          D
|___________________________________________________________________
|_____________0___________________________________0_________________
|____0_____2_____2_____0__________________0____2_____2____0___2_____
|_________________________4___2_____2_______________________________
|___________________________________________________________________
|___________________________________________________________________


   Am                                              B
__________________________________________________________________________|
__________________________________________________________________________|
___4__4__4__4__2__2__2__2__0__0__0__0____________________________________.|
_______________________________________4__4__4__4__4__4__4__4__0_____4___.|
__________________________________________________________________________|
__________________________________________________________________________|



|2.
|   C    D            Em      C         D
|________________________________________________________
|________________________________________________________
|___5____4____2___0___________5___4_____2____0___________
|_____________________2__________________________________
|________________________________________________________
|________________________________________________________



   Am                                              B
__________________________________________________________________________|
__________________________________________________________________________|
___4__4__4__4__2__2__2__2__0__0__0__0____________________________________.|
_______________________________________4__4__4__4__4__4__4__4__0_____4___.|
__________________________________________________________________________|
__________________________________________________________________________|


(back to main verse, accent notes one octave higher)


-- 
Roger Ellero                   In all history the only bright rays cutting
raellero@vela.acs.oakland.edu  through the gloom of oppression have come from
Rochester, MI                  men who would rather get hurt than give in.

From: raellero@vela.acs.oakland.edu (Roger Ellero)
Date: 4 Jul 1993 12:03:59 -0400
Newsgroups: rec.music.makers.guitar.tablature,alt.guitar.tab
Subject: * CECILIA ANN CORRECTION *

damn! i made a mistake. that's what i get for posting at 2 am. here
is the corrected measure as it should appear:


   Am                                              B
__________________________________________________________________________|
__________________________________________________________________________|
___4__4__4__4__2__2__2__2__0__0__0__0__________________________0_________.|
_______________________________________4__4__4__4__4__4__4__4________4___.|
__________________________________________________________________________|
__________________________________________________________________________|

the second to last note (the G under the B chord) originally appeared
-- 
Roger Ellero                   In all history the only bright rays cutting
raellero@vela.acs.oakland.edu  through the gloom of oppression have come from
Rochester, MI                  men who would rather get hurt than give in.




		   
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